{"id":4107,"date":"2024-09-03T15:27:27","date_gmt":"2024-09-03T13:27:27","guid":{"rendered":"https:\/\/asurb.com\/asurb3\/?page_id=4107"},"modified":"2024-10-11T17:30:49","modified_gmt":"2024-10-11T15:30:49","slug":"143-rue-du-desert-15","status":"publish","type":"page","link":"https:\/\/asurb.com\/asurb3\/?page_id=4107","title":{"rendered":"Nome"},"content":{"rendered":"

\"\"De Sana NA N\u2019HADA – Guin\u00e9e Bissau \/France\/Portugal\/Angola\u2013 2023 \u2013 117 min \u2013 Fiction \u2013 VO cr\u00e9ole,portugais STF<\/p>\n

\u00a02023 : Festival de Cannes, s\u00e9lection ACID – Festival International du Film Ind\u00e9pendant de Bordeaux\u00a0 FIFIB \u00a02023 Grand Prix de la Comp\u00e9tition Internationale -Mention sp\u00e9ciale pour l\u2019actrice Binete Undonque.<\/p>\n

\u00a0Fiche technique<\/strong><\/p>\n

Sc\u00e9nario : Virgilio Almeida, Olivier Marboeuf \u2013 Image\u00a0: Jo\u00e2o Ribeiro \u2013 Son\u00a0: Tristan Pont\u00e9caille \u2013 Montage\u00a0: Sarah Salem \u2013 Musique\u00a0: Remma Schwarz \u2013 Interpr\u00e9tation\u00a0: Marcelino Ant\u00f3nio Ingira, Binete Undonque, Marta Dabo.<\/p>\n

Production\u00a0: Spectre Productions et LX Filmes – Distribution\u00a0: The Dark<\/p>\n

Synopsis\u00a0<\/span><\/h4>\n

Guin\u00e9e-Bissau, 1969. Une guerre violente oppose l\u2019arm\u00e9e coloniale portugaise aux gu\u00e9rilleros du Parti Africain pour l’Ind\u00e9pendance de la Guin\u00e9e. Nome quitte son village et rejoint le maquis. Apr\u00e8s des ann\u00e9es, il rentrera en h\u00e9ros, mais la liesse laissera bient\u00f4t la place \u00e0 l\u2019amertume et au cynisme.<\/p>\n

Un r\u00e9cit puissant et fascinant sur l\u2019Histoire de la Guin\u00e9e- Bissau. Sp\u00e9cialiste du documentaire, le r\u00e9alisateur choisit la fiction qui lui permet d\u2019aborder un grand nombre de th\u00e8mes.\u00a0\u00ab\u00a0Il tente une \u00e9criture mosa\u00efque, aussi bien dans le temps que dans la forme. Il raconte en effet, \u00e0 partir de l\u2019histoire de Nome (qui veut dire homonyme, c\u2019est-\u00e0-dire celui qui a le nom de tous,), celle de la Guin\u00e9e-Bissau dans la guerre d\u2019ind\u00e9pendance jusqu\u2019\u00e0 nos jours. Et cela en m\u00ealant des archives (il avait \u00e9t\u00e9 charg\u00e9 par Amilcar Cabral d\u2019apprendre le cin\u00e9ma \u00e0 Cuba pour documenter la guerre de lib\u00e9ration), des sc\u00e8nes empreintes de r\u00e9alisme magique et la pr\u00e9sence d\u2019un esprit au visage peint en blanc, \u00e0 la fois sage et guide qui se d\u00e9sesp\u00e8re devant les choix des humains \u2013 \u00e0 l\u2019image de ce que ressent aujourd\u2019hui le r\u00e9alisateur\u00a0\u00bb.(Olivier Barlet). Quarante ans plus tard, le cin\u00e9aste N\u2019Hada reconstitue l\u2019\u00e9pop\u00e9e d\u2019une guerre d\u2019ind\u00e9pendance qu\u2019il a lui-m\u00eame travers\u00e9e. Les temporalit\u00e9s se m\u00ealent\u00a0: entre les r\u00eaves de l\u2019enfance, l\u2019aventure glorieuse du gu\u00e9rillero, puis les ambigu\u00eft\u00e9s de ses h\u00e9ros. Que reste-t-il de la R\u00e9volution\u00a0? \u00ab\u00a0On est tous responsables ensemble de ce qui nous arrive\u00a0\u00bb, d\u2019o\u00f9 le titre du film, selon le r\u00e9alisateur.<\/p>\n

Le r\u00e9alisateur<\/span><\/h4>\n

Sana NA N\u2019HADA est r\u00e9alisateur, sc\u00e9nariste, directeur de la photo, producteur. Il est n\u00e9 en 1950 \u00e0 Enxal\u00e9 (Guin\u00e9e-Bissau). Envoye\u0301 a\u0300 Cuba par le leader re\u0301volutionnaire Amilcar Cabral avec Flora Gomes, Josefina Lopes Crato et Jos\u00e9 Bolama Cobumba, Sana Na N\u2019Hada fait ses \u00e9tudes secondaires et cin\u00e9matographiques \u00e0 l\u2019Institut Cubain des Arts et Industries Cin\u00e9matographiques. A son retour en Guin\u00e9e, il filme la guerre d\u2019ind\u00e9pendance. Son cine\u0301ma va se construire par la suite dans des aller retours entre la me\u0301moire de l\u2019occupation portugaise, les luttes d\u2019inde\u0301pendance et une me\u0301ditation sur la destruction des socie\u0301te\u0301s traditionnelles en Guine\u0301e-Bissau \u2013 et avec elles, d\u2019un mode\u0300le e\u0301cologique ou\u0300 l\u2019homme accepte les puissances d\u2019une nature a\u0300 laquelle il sait appartenir.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Apr\u00e8s l\u2019ind\u00e9pendance, il co-r\u00e9alise, en 1976, deux courts m\u00e9trages avec Flora Gomes : O Regresso de Cabral \u2013 Le retour de Cabral<\/em> et Anos no assa luta.<\/em> En 1978, il r\u00e9alise seul son premier court m\u00e9trage, The days of Ancono.<\/em> Pendant les ann\u00e9es 70 et 80, il travaille sur de nombreux films dont Sans soleil <\/em>de Chris Marker et Mortu nega <\/em>de Flora Gomes. En 1984, il r\u00e9alise son second court m\u00e9trage, Fanado .<\/em> En 1979, il devient directeur de l\u2019Institut National du Cin\u00e9ma de Guin\u00e9e Bissau (INCA).\u00a0 Xime<\/em> (1994) est son premier long m\u00e9trage. Nome<\/em>, son 2e<\/sup> long m\u00e9trage est s\u00e9lectionn\u00e9 en 2023 dans la section ACID au festival de Cannes.<\/p>\n\n","protected":false},"excerpt":{"rendered":"

De Sana NA N\u2019HADA – Guin\u00e9e Bissau \/France\/Portugal\/Angola\u2013 2023 \u2013 117 min \u2013 Fiction \u2013 VO cr\u00e9ole,portugais STF \u00a02023 : Festival de Cannes, s\u00e9lection ACID – Festival International du Film […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":26,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4107","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7C6tF-14f","jetpack-related-posts":[{"id":88,"url":"https:\/\/asurb.com\/asurb3\/?page_id=88","url_meta":{"origin":4107,"position":0},"title":"Festival 2007","author":"webmaster","date":"1 juin 2016","format":false,"excerpt":"Dans le cadre de la Semaine de la solidarit\u00e9 internationale, l'association Afrique sur Bi\u00e8vre a organis\u00e9 du 17 au 24 novembre 2007 le 1er Cin\u00e9 Regards Africains. 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